![]() ![]() It’s short-lived, though, as a younger, faster agent is soon on his trail intent on retiring him permanently, and it only takes one clash - it starts as a rooftop shoot-out before shifting into a motorcycle chase through the tight streets and alleys of Cartagena, Colombia - to bring the two face to face. The mission is a success, but Henry is hanging up his rifle for the greener pastures of retirement because he knows age is slowly chipping away at his skill set. Henry Brogan ( Will Smith) is a government assassin who we first meet as he takes out a target on a moving train from over a mile away. It’s still a dodgy tech at times, but when it comes to the action sequences the film and technology come together to create some truly stunning and exhilarating set-pieces. ![]() Lee shot Gemini Man in 3D and 120 frames per second, a noticeable increase on the film standard of 24fps, and the result is a film that looks “real” in its ability to drop viewers directly into the action, interactions, and locales. We’ve seen this tale before, but the beauty - and the absolute thrill - of Lee’s film is that we’ve never seen it quite like this. Aging assassin is targeted for extermination by the very agency he’s dedicated his life to, and the super soldier sent to take his life is his own clone - it’s basically plots 2 and 5 from that list of seven. And it’s the reason why the premise behind Gemini Man, the latest from director Ang Lee, feels so damn recognizable on paper. It’s the reason movies often feel familiar in their narratives or repetitive in their plot lines. It’s been said that there are only seven basic plots, and that all stories are built upon one or more of them. ![]()
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